作為現(xiàn)代藝術(shù)的一個(gè)重要組成部分的現(xiàn)代機(jī)器人模型也不例外，它的形式構(gòu)成也在不斷的簡(jiǎn)化，具體來說可以歸納為兩點(diǎn)。下面大型機(jī)器人模型制作廠家來講講大型機(jī)器人模型的發(fā)展。

As an important part of modern art, the modern robot model is no exception, and its form composition is also constantly simplified. Specifically, it can be summarized as two points:

一，形式觀念的純粹化。世界大戰(zhàn)使得歐洲舊秩序徹地崩潰，傳統(tǒng)以及目空的高雅藝術(shù)都與眼前特殊而瘋狂的年代格格不入。在這時(shí)產(chǎn)生的達(dá)達(dá)派藝術(shù)對(duì)傳統(tǒng)藝術(shù)的價(jià)值觀進(jìn)行瘋狂的否定與顛覆，人們開始重新思考藝術(shù)到底是什么。對(duì)于現(xiàn)代大型機(jī)器人而言，將“金屬現(xiàn)成品”引入機(jī)器人模型當(dāng)中，使幾個(gè)世紀(jì)以來的形式觀念瓦解。

1、 The purity of the concept of form. The world war completely broke down the old order in Europe, and the tradition and the elegant art with empty eyes were incompatible with the special and crazy era. At this time, the Dada art produced crazily negates and subverts the values of traditional art, and people begin to rethink what art is. For modern large-scale robots, the introduction of "metal ready-made products" into robot models has disintegrated the concept of form that has existed for centuries.

盛行于20世紀(jì)90年代的貧困藝術(shù)將這種觀念演繹的更加純粹化，他們直接選用木材、石頭、泥土、羽毛、鋼鐵等未經(jīng)加工甚至還帶著原始?xì)庀⒌牟牧?，探討自然與文明的結(jié)合，尋求人與環(huán)境的關(guān)聯(lián)。就這樣，貧困藝術(shù)將現(xiàn)代大型機(jī)器人的形式觀念無以復(fù)加的純粹化了。

The poor art prevailing in the 1990s made this concept more pure. They directly used raw materials such as wood, stone, soil, feathers, steel, etc. to explore the combination of nature and civilization and seek the relationship between man and the environment. In this way, the art of poverty has further purified the formal concept of modern large-scale robots.

工業(yè)元件、垃圾廢料、生活現(xiàn)成品……他們藝術(shù)加工的痕跡，承載的只有藝術(shù)家的觀念，藝術(shù)的語言更加純粹、質(zhì)樸、真實(shí)。波普藝術(shù)的機(jī)器人模型家西格爾更是在真人身上直接翻制人體形象，并不加任何修飾和點(diǎn)綴，將這些人體或人像不加選擇的置于日常生活的角落里，把機(jī)器人模型、現(xiàn)成品、生活細(xì)節(jié)組合為一個(gè)機(jī)器人模型整體，這在機(jī)器人模型的概念上是一個(gè)新突破。

Industrial components, waste materials, ready to use products... The traces of their artistic processing only bear the artist's concept, and the language of art is more pure, simple and true. The robot modeler of Pop Art, Siegel, directly recreates human figures on real people without any embellishment and embellishment. He places these human figures or portraits in the corner of daily life without any choice, and combines robot models, ready-made products and life details into a whole robot model, which is a new breakthrough in the concept of robot models.

二，形式語言的純粹化。受構(gòu)成主義的影響把現(xiàn)代藝術(shù)的形式主義美學(xué)推向更好，走向唯美主義，它通過把造型藝術(shù)剝離到只剩下基本的元素而達(dá)到“純粹的抽象”。他們運(yùn)用新興工業(yè)材料，創(chuàng)造出形式簡(jiǎn)約、明晰、外向、無裝飾的形體，以此來表達(dá)作品非人格化、純客觀化的存在本質(zhì)。從現(xiàn)代機(jī)器人模型的形象逐漸被簡(jiǎn)化到只剩下簡(jiǎn)約的要素，即外形。

2、 The pureness of formal language. Under the influence of constructivism, the formalistic aesthetics of modern art is pushed to a better level and towards aestheticism. It achieves "pure abstraction" by stripping plastic arts to only basic elements. They use emerging industrial materials to create simple, clear, extroverted and non decorative forms to express the impersonal and purely objective nature of their works. The image of the modern robot model is gradually simplified to a simple element, that is, the shape.

機(jī)器人模型家繼承和發(fā)展了這些原則，他們以冰冷的鋼鐵作為機(jī)器人模型的材料，崇尚幾何式的簡(jiǎn)凈和單純，大型機(jī)器人在他們手中逐漸成為一種“純粹的形式”。更多相關(guān)事項(xiàng)就來我們網(wǎng)站http://z4358.cn咨詢！

Robot modelers have inherited and developed these principles. They use cold steel as the material of robot models and advocate geometric simplicity. Large robots have gradually become a "pure form" in their hands. Come to our website for more information!